Tools Services Portfolio About Contact

Tools Services Portfolio About Contact

Made with by Lê Trực 0983470827 © 2025 KenAI.vn

Actor Bandō Yasosuke as Hige no Ikyū | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Actor Bandō Yasosuke as Hige no Ikyū

Actor Bandō Yasosuke as Hige no Ikyū

PrintsJapanese19th century

Actor Bandō Yasosuke as Hige no Ikyū

Edo period, 1863 (7th month)

Artists

Utagawa Kunisada 歌川国貞Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "ōban" format; ink, color and gauffrage ("blind" printing) on paper, with printed signature reading "nanajū-hachi sai Toyokuni ga"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 36.5 cm x W. 26.0 cm (14 3/8 x 10 1/4 in.)

Related Artworks

Okame Viewing Plum Blossoms, with poem by Katsurarō

Okame Viewing Plum Blossoms, with poem by Katsurarō

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "kokonotsu-giri ban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Two Women and Small Child Catching Goldfish

Two Women and Small Child Catching Goldfish

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "nagaban" format; Ink and color on paper

19th centuryJapanese

Man Attempting to Lift the "Tiger Stone" (Tora ga Ishi)/ Ōiso, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Man Attempting to Lift the "Tiger Stone" (Tora ga Ishi)/ Ōiso, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Court Ladies with Caged Pheasant/The Univalve Shell (Katatsugai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase)

Court Ladies with Caged Pheasant/The Univalve Shell (Katatsugai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase)

Katsushika Hokusai 葛飾北斎, Edo period, datable to 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Getchi Rōjin I-itsu hitsu"

19th centuryJapanese

Yamato Province: Yoshino, a Thousand Cherry Trees at One Glance (Yamato, Yoshino, ōju ichimoku senbon), cut from sheet 1 of the series Cutout Pictures of the Provinces (Kunizukushi harimaze zue)

Yamato Province: Yoshino, a Thousand Cherry Trees at One Glance (Yamato, Yoshino, ōju ichimoku senbon), cut from sheet 1 of the series Cutout Pictures of the Provinces (Kunizukushi harimaze zue)

Utagawa Hiroshige 歌川広重, 19th century

19th centuryJapanese

Asahi Shōgun Yoshinaka (Minamoto no Yoshinaka), from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Asahi Shōgun Yoshinaka (Minamoto no Yoshinaka), from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper

19th centuryJapanese

Women and Children

Women and Children

Utagawa Kunisada 歌川国貞, 19th century

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Actors Ichikawa Ebizō, Segawa Kikunojō 5th and Ichikawa Danjūrō 7th, with poems by Kodamaototaka and associates

Actors Ichikawa Ebizō, Segawa Kikunojō 5th and Ichikawa Danjūrō 7th, with poems by Kodamaototaka and associates

Kubo Shunman 窪俊満, Edo period, circa 1810-1817 (late Bunka)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Pensive Woman on Verandah, with poem by Kogetsukan Chizume

Pensive Woman on Verandah, with poem by Kogetsukan Chizume

Kubo Shunman 窪俊満, Edo period, probably 1804 (Bunka 1)

Ukiyo-e woodblock-printed surimono in "kokonotsugiri-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Actors Ichikawa Danjūrō 7th as Soga no Gorō and Arashi Sangorō 3rd as Asahina, with poem by Komadō (or Dokurakudō)

Actors Ichikawa Danjūrō 7th as Soga no Gorō and Arashi Sangorō 3rd as Asahina, with poem by Komadō (or Dokurakudō)

Kubo Shunman 窪俊満, Edo period, circa 1816 (Bunka 12)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

The Tone River in Shimōsa Province (Sōshū Tonegawa), from the series One Thousand Pictures of the Ocean (Chie no umi)

The Tone River in Shimōsa Province (Sōshū Tonegawa), from the series One Thousand Pictures of the Ocean (Chie no umi)

Katsushika Hokusai 葛飾北斎, c. 1833

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Satsuma Fuku no Uri Buntoku Jitsuroku, from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Satsuma Fuku no Uri Buntoku Jitsuroku, from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese