PrintsJapanese19th century

Yoshitsune as a Boy (Onzōshi Ushiwakamaru)

Late Edo period, 19th century

Artists

Utagawa Kuniyoshi 歌川国芳Artist

Classification

Prints

Medium

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

paper: H. 34.2 x W. 23.7 cm (13 7/16 x 9 5/16 in.)

Related Artworks

Prints

Jo and Uba

Hokuei, 19th century

Ukiyo-e woodblock-printed "surimono"; ink and color on paper

19th centuryJapanese

Prints

Actor Iwai Shijaku, from an untitled series of actors on the theme of Snow, Moon and Flowers (Setsugekka)

Utagawa Kunisada 歌川国貞, Edo period, circa 1825

Left panel from an ukiyo-e woodblock-printed "koban"-format triptych; ink, color and embossing on paper

19th centuryJapanese

Prints

Ikaiei fukin Tōshū-fu kō[?] gekisen no zu

Utagawa Kokunimasa, Meiji period, dated 1894

Left panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Kusunoki Masashige, from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color, mica, metallic pigment and embossing on paper

19th centuryJapanese

Prints

French Woman and Chinese Servant, published by Izumiya Ichibei

Utagawa Yoshikazu, Late Edo period, second month of 1862

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Night Rain at Gankirō (Gankirō yoru no ame), from the series Eight Views of Yokohama, Bushu (Bushu Yokohama hakkei no uchi), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, Late Edo period, first month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

The Goddess Uzume with Rooster and Mirror

Unknown Artist, 19th century

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

No. 2, 3, and 4 from the series The Boulder Door of Spring (Haru no iwato)

Totoya Hokkei 魚屋北渓, 1825

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Enjoying the Evening Cool at Ryōgoku Bridge in Edo: A Great Display of Fireworks

Utagawa Kunitora 歌川国虎, c. 1820s

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Urashima Tarō and the Tortoise, from the series Five Pictures of Symbols of Longevity (Kotobuki goban no uchi)

Yanagawa Shigenobu 柳川重信, Edo period, circa 1823-1826

Ukiyo-e woodblock printed surimono in "shikishi" format; ink, color and embossing on paper

19th centuryJapanese

Prints

General Ōdera Attacking the "Hundred Foot Cliff" with All His Might (Ōdera shōgun zenroku o furuite Hyakusekigai o shūgeki suru no zu)

Ogata Gekkō, 1895

Woodblock printed oban-sized triptych; ink and color on paper

19th centuryJapanese

Prints

Act II, Scene 2: Along Train Tracks in America, from the play The Strange Tale of the Castaways: A Western Kabuki

Adachi Ginkō 安達吟光, 1879

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese