PrintsJapanese19th century

Children Playing (Kodomo asobi)

19th century

Artists

Keisai Eisen 渓斎英泉Artist

Classification

Prints

Medium

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

37 x 25.1 cm (14 9/16 x 9 7/8 in.)

Related Artworks

Prints

Shinto Music Plum (Kagura ume), from the series Series for the Hanazono Group (Hanazono bantsuzuki)

Totoya Hokkei 魚屋北渓, c. 1823

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Act Three from the series Record of the Loyal Retainers (Chūyū gishin roku)

Utagawa Kunisada 歌川国貞, 1847-48

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Falling Flowers (Hanachirusato), from the series Fashionable Comparisons of Genji Fans (Fūryū Genji ogi awase)

Kikugawa Eizan 菊川英山, early to mid 19th century

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Phoenix (Hōō), from the series Five Birds (Goki no uchi)

Kubo Shunman 窪俊満, Edo period, late 18th-early 19th century

Ukiyo-e woodblock-printed surimono in "kokonotsugiri-ban" format; ink, color and embossing on paper

18th-19th centuryJapanese

Prints

Yamato, from the series Comparisons of Tales (Monogatari awase)

Manjirô Hokuga, 19th century

Woodblock print (ukiyo-e, surimono); ink and color on paper

19th centuryJapanese

Prints

Fireworks at Ryōgoku (Ryōgoku hanabi), Number 98 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Late Edo period, dated 1858 (8th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Actor Ichikawa Danjūrō 7th as Katō Kiyomasa with Entourage of Retainers, with poems by Funanoya Amibito and Jingairō Kiyosumi

Utagawa Kunisada 歌川国貞, Edo period, circa 1815-1830

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Man and Woman in a Landscape

Eishōsai Chōki, Late Edo period, circa 1803-1804

Ukiyo-e woodblock printed surimono; ink, colors, metallic pigments and embossing on paper

19th centuryJapanese

Prints

Three Ladies

Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Ukiyo-e woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Kanbara: Night Snow (Kanbara, yoru no yuki), from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-1834 (Tenpō 4-5)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Mount Fuji Viewed during a Fine Wind on a Clear Morning (Gaifū kaisei), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Three Women Gathering Clams at Enoshima, with poems by Bunsōsai Matsutoshi (Shōnen), Fumimado Takeo, and Bunsōan Hirotaka (Kōyō)

Katsushika Taito II 二代葛飾戴斗, Edo period, circa early 1830s

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese