1666
17.3 x 23.4 cm (6 13/16 x 9 3/16 in.)
Queen Christina of Sweden, Rome (bound together with other drawings in an album); Cardinal Decio Azzolini, Rome; his nephew, Marchese Pompeo Azzolini, Rome, by descent; Prince Livio Odescalchi, Rome (also referred to hence as the Odescalchi Album); Odescalchi family, Rome, by descent; private collection, Poland (by 1939); private collection, Switzerland (by 1960); Georges Wildenstein, Paris (also referred to hence as the Wildenstein Album); Hans Calmann, London (by c. 1958; some drawings removed); Norton Simon, Pasadena (by 1968; also referred to hence as the Norton Simon Album; then dismembered); Thomas Agnew and Sons, London; Vermeer Associates Limited, New York; Harvard Art Museums/Fogg Museum, Purchase through the generosity of the Estates of Margaret H. Rousseau and William C. Rousseau and the Kate, Maurice R. and Melvin R. Seiden Special Purchase Fund in honor of Norma Jean and Stanford Calderwood, 2000.70
Black and white chalk on tan antique laid paper, laid down on card, framing lines in black chalk
17th centuryFrenchBlack chalk and brown wash on cream antique laid paper
17th centuryFrenchBlack chalk on cream antique laid paper
17th centuryFrenchRed, black, and white chalk on blue antique laid paper, laid down on four sheets of cream antique laid paper, with blue wove paper strips adhered to face
17th-18th centuryFrenchGraphite, watercolor, and gray and brown wash on cream antique laid paper, with framing lines in brown ink
17th centuryFrenchBrown ink and brown wash over traces of red chalk on cream antique laid paper, laid down on a decorated mount
17th centuryFrenchColored chalks on cream antique laid paper, laid down on cream wove paper, with cream antique laid paper strips adhered to face
16th-17th centuryFrenchColored chalks on cream antique laid paper, laid down on cream wove paper, with cream antique laid paper strips adhered to face
16th-17th centuryFrenchColored chalks on cream antique laid paper, laid down on cream wove paper, with cream antique laid paper strips adhered to face
16th-17th centuryFrenchBrown and gray ink, brown and gray wash, and white gouache on blue antique laid paper, with framing lines in brown ink; verso: black and white chalk
17th centuryFrenchRed chalk on cream antique laid paper
17th centuryFrenchBlack ink and gray and brown wash with traces of black chalk and graphite on cream antique laid paper, framing lines in black chalk and graphite
17th centuryFrench