late 18th-early 19th century
The careful composition of this coat belies that it is constructed from a number of different fabrics. The main textile is a red silk satin ground weave featuring small lions and birds nestled amidst pomegranates and flowers. The pattern has been rendered on such a small scale that one barely notices that the fabrics have been sewn together in such a way that the lions and birds appear upside-down to the viewer. The primary border features another complex weave, patterned with other colorful flowers and white deer. Smaller bands composed of black and yellow plain weaves and printed cotton known as qalamkari round out this coat. The interior has also been lined with a stunning silk ikat (the resist dyeing of the threads creates a pattern), adding another layer of complexity to this coat. Paintings from the late Safavid to Qajar periods show women in courtly settings wearing such delicate, outer-garments. This coat could have been worn in such a context and would certainly have been layered over other richly patterned dress textiles.
105 x 163.5 cm (41 5/16 x 64 3/8 in.)
Fiber
19th centuryPersianCotton and wool
TurkmenBook of swatches mounted on paper (56 sheets)
19th-20th centuryJapaneseSilk damask
16th-17th centuryItalianLinen and wool, tapestry woven
7th-8th centuryByzantineVelvet
19th-20th centuryEuropean?Compound silk weave; green satin warp-faced ground, patterned with white wefts binding in plain
17th centuryOttomanTextile fibers
16th centuryFlemishLinen
17th centuryTurkish