17th century
This painting depicts a popular mode of hunting in Rajasthan, one that conferred every advantage to the hunter. A calf, goat, or sheep is tied to the base of a tree as bait – its cries luring predatory game. The hunter, in this case Rao Raja Bhoj Singh of Bundi, positioned on a small platform in the tree, then waits for the opportune moment to use his matchlock. As seen here, however, the strategy still carried great risk. The large tiger has killed the small calf, has been shot in the haunch, and now is seeking revenge. It leaps into the tree as the Bhoj Singh batters it in the head with the butt of his matchlock. The hunter’s attendant embodies the panic and desperation of the situation, as he frantically scrambles up the tree, his turban unraveling in the process.
20.3 × 25.5 cm (8 × 10 1/16 in.) frame: 38.4 × 48.6 × 2.5 cm (15 1/8 × 19 1/8 × 1 in.)
Stuart Cary Welch (by 1969 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1969.
Oil on canvas
19th centuryFrench(A REPLACEMENT:) The fifty-second of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper
16th centuryJapaneseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChinese
Tempera on panel
20th centuryAmericanOil on panel
16th centuryItalian
Oil on canvas
20th centuryAmerican
Oil on canvas
20th centuryAmericanOne of eighteen album leaves bound together in an (incomplete) album; ink, color and silver on paper
19th centuryJapanese
Oil on canvas
19th-20th centuryFrenchOil on panel
15th centuryFrenchOpaque watercolor, gold and metallic gray pigment
19th centuryIndianTempera on panel
14th centuryItalian