late 18th-first half 19th century
Although the two screens that comprise their pair can be viewed as separate compositions, they were intended to be viewed together. The two-panel screen on the right depicts a partial view of a cherry tree trunk, with just a few thin flowering branches rising up into the scene and a more substantial branch sprouting leftward from the trunk and out of the visual field. The two-panel screen on the left continues the arc of the other screen’s left-sprouting branch and culminates in a scene of two sparrows perched on branches with clusters of cherry blossoms and leaves. The imagery is painted in ink, color, and white pigments over a gold paper ground. A signature and red square relief seal appear in the lower right corner of the right panel of the right-hand screen. These screens originated as a set of sliding cabinet doors, as indicated by traces of circular damage at the midpoints of the left and right edges of each screen panel, where the handling implement to slide each door once existed.
Right screen (painting proper): H. 33.4 x W. 122.7 cm (13 1/8 x 48 5/16 in.) Left screen (painting proper): H. 33.5 x W. 121.9 cm (13 3/16 x 48 in.)
Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1981 to 2013.
Framed (painted) reproduction; ink and color on paper
20th centuryJapaneseFresco transferred onto canvas
15th centuryItalian, UmbrianOil on canvasboard
19th-20th centuryAmericanOne from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06"
21st centuryChineseThe forty-sixth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper
16th centuryJapaneseOil on copper
16th centurySpanishSix-panel folding screen; ink, color and gold on paper
18th-19th centuryJapaneseTempera on shaped panel
15th centuryItalian, VenetianOil on canvas
19th centuryBritishThe thirty-fifth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper
16th centuryJapaneseOil on canvas
19th centuryBritishOil on canvas
19th centuryAmerican