2nd-1st century BCE
Cold-painted funerary ware simulating an inlaid bronze or lacquered vessel; bowl-shaped container supported by three cabriole legs terminating in hoof-shaped feet; two rectangular handles rising vertically from the rim; domed lid pierced with three small rectangular openings for the insertion of finial ornaments (now lost); dark gray earthenware with geometric cloud-scroll decoration painted in unfired polychrome pigments, including white, off-white, ochre, green, blue, orange, and red; interior of container and lid covered with cold-painted red pigment; remnants of small animal bones, other burial materials, and a flat bronze ring (that may have been used to anchor the now-lost ornaments from the lid) were found inside. One of a pair with 2006.170.172.A-B.
H. 22.3 x W. 29.2 x Diam. 24.3 cm (8 3/4 x 11 1/2 x 9 9/16 in.)
[J. J. Lally & Co., New York, August 1999] sold; to Walter C. Sedgwick Foundation, Woodside, CA (1999-2006), partial gift; to Harvard University Art Museums, 2006.
Dark gray earthenware with inscription incised on the interior wall of the footring after firing
4th-3rd millennium BCEChineseJian ware: dark gray stoneware with dark brown glaze, the markings in iron oxide, the lip bound with tin, the base with an incised number, and the lower portion of the bowl with a brush-written inscription reading "Shang zhai ji". From the kilns at Shuiji, Jianyang county, Fujian province.
12th-13th centuryChineseTemmoku-type ware: light gray stoneware with dark brown glaze streaked with yellow overglaze, the foot and base with medium brown skin; with incised signature reading "Moriyasu saku" on the base
20th centuryJapaneseTerracotta
5th-4th century BCENear EasternGrayish-buff stoneware with opaque light grayish-blue glaze. Made in northeastern Korea, probably in Hoeryŏng-gun, possibly in Myŏngc'hŏn-gun, North Hamgyŏng province.
17th-19th centuryKoreanSilver
18th centuryAmericanKohiki type: light gray stoneware with pale celadon glaze over brush-applied white slip, the slip carefully applied to form hard-edged geometric patterns, with artist’s mark impressed on the base
21st centuryJapaneseBiscuit porcelain with decoration painted in green, aubergine, and black enamels against a yellow enamel ground; with spurious underglaze cobalt-blue mark reading "Da Ming Xuande nian zhi" within a double circle on the base
17th centuryChineseTerracotta
6th century BCEGreekSilver
18th centuryAmericanTerracotta, gray-brown ware
3rd millennium BCEAnatolian