3rd-early 4th century
Large jar with broad, rounded shoulders; side walls tapering inward dramatically to a proportionally small, slightly concave base; very short upright neck with slightly rolled rim; incised horizontal lines encircle the vessel between the neck and shoulders; four small, molded, simulated pushou-mask ring-handles evenly spaced around the vessel, just below the incised lines; light gray stoneware with crazed olive-green glaze over incised and molded applique decoration; fully glazed on the exterior and interior; markings on the base indicate the vessel was raised in the kiln when fired. From the Yue kilns in the Shaoxing area of northeastern Zhejiang province.
H. 34 x Diam. 41.3 cm (13 3/8 x 16 1/4 in.)
[Christian Boehm, London, November 1999] sold; to Walter C. Sedgwick Foundation, Woodside, CA (1999-2006), partial gift; to Harvard University Art Museums, 2006.
Inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips
13th centuryKorean"Wucai" ware: porcelain with decoration painted in overglaze red, green, and yellow enamels, the bowstring-line borders painted in underglaze cobalt blue. Probably from the kilns at Jingdezhen, Jiangxi province
16th-17th centuryChineseBronze
ChineseStone
3rd millennium BCENear EasternSilver
17th centuryBritishGlass, engraved and gilded
18th centuryBritishTerracotta
7th-6th century BCEEtruscan
Jun-type ware: light gray stoneware with light blue glaze enlivened with bluish-purple splashes from copper filings; with incised signature reading "Minoru" on the unglazed base
20th centuryJapaneseTerracotta
6th century BCEGreekHakeme type: light gray stoneware with pale celadon glaze over brush-applied white slip, the slip encouraged to run to create patterns, with artist’s mark impressed on the base
21st centuryJapaneseSilver
18th centuryBritishCoin silver
19th centuryAmerican