3rd-4th century
Currently fragmentary, this head of a man may have originally been part of a funerary monument. The face is frontal; the man's eyes and eyebrows are carved in simple lines and circles. The modeling of the face below the eyes is more natural, with high cheekbones, sunken cheeks, deep lines on either side of the nose and mouth, and closed lips with a slightly frowning expression. The nose is broken. The hair of the figure is simple, with thick locks separated by simple wavy lines. The ears are large and prominent, with the anatomical details simply rendered. Cuts and abrasions are present all over the face; the surface of the jaw shows chisel marks that may be meant to represent a beard.
27.94 cm (11 in.)
[Charles Dikran Kelekian, New York 1968 ] sold; to The Alice Corinne McDaniel Collection, Department of the Classics, Harvard University (1965-2012) transfer; to The Harvard Art Museums, 2012.
Terracotta, mold made
4th-3rd century BCEGreek
Bronze
20th centuryBritishLead-glazed funerary ware: brick-red earthenware with applique elements and much degraded lead-fluxed emerald-green glaze
1st-2nd century CEChinese
Package of baking powder, inscribed in graphite, stamped
20th centuryGermanLight gray stone, probably sandstone. From the “Elephant Chapel,” Wangmugong Cave 王母宮石窟, Jingchuan, Gansu province.
4th-6th centuryChinesePlaster
19th centuryItalianGilded copper alloy
16th centuryItalianPlaster cast
GreekLeaded bronze
1st century CEGraeco-Roman
Silver
20th centuryAmericanPainted plaster cast
20th centuryGermanSun-dried clay with traces of pigment (including blue pigment on the hair)
12th centuryCentral Asian