late 6th-early 7th century
Cup with wide, rimless mouth and sides tapering inward to a small, slightly splayed circular foot; white porcelain with transparent glaze tinged with pale celadon green that stops short of the foot; base unglazed and marked with the ideograph 波 (bo) brush-written in red ink on the base after firing. From northern China; Hebei or Henan province. Part of a set comprising five cups and a circular tray (2006.170.1-6).
H. 7.4 x Diam. 8.9 cm (2 15/16 x 3 1/2 in.)
[Blitz Chinese Ceramics and Works of Art, Amsterdam, December 1999] sold; to Walter C. Sedgwick Foundation, Woodside, CA (1999-2006), partial gift; to Harvard University Art Museums, 2006.
Ceramic
18th-19th centuryGermanCold-painted funerary ware: light gray earthenware with cold-painted red and black pigments over white gesso ground
2nd-1st century BCEChineseTerracotta
EuropeanFritware painted with black (chromium), blue (cobalt), turquoise (copper), and brownish-red (iron) over white lead alkali glaze opacified with tin.
12th-13th centuryPersianNumbered Jun ware: light gray stoneware with variegated purple and blue glaze; with Chinese numeral 3 (san) inscribed on base before firing; "Chonghua gong Cuiyun guan yong" (Palace of Double Glory, used in the Lodge of Emerald Clouds) inscription incised on base at a later date
15th centuryChineseSilver
17th centuryAmericanQingbai ware: molded porcelain with off-white glaze over trailed ribs of porcelain slip
12th-13th centuryChineseYaozhou ware: light gray stoneware with misfired olive-brown celadon glaze. From the Yaozhou kilns at Tongchuan, Shaanxi province.
12th-13th centuryChineseEnameled blue-and-white ware, "doucai" type: porcelain with decoration in underglaze cobalt blue and overglaze polychrome enamels; with spurious underglaze cobalt blue mark reading "Da Ming Chenghua nian zhi" within a double circle on the base
17th-18th centuryChineseEtching fired onto ceramic plate, then colored, glazed, and refired
19th centuryFrench