c. 1900
This large cotton textile is has painted mordant and dye designs depicting scenes of the various incarnations, or avatars, of the Hindu god Vishnu. Known as kalamkari ("pen-work"), textiles of this type and manufacture have been produced in India for centuries, for domestic use as well as for export to Southeast Asia and Europe. This example is from the Coromandel Coast in the southern state of Andhra Pradesh, and likely originated around the turn of the 20th century from worshops in Kalahasti or Masulipatam. The composition of this work is divided into six vertical registers contained within a border of round floral repeat designs. A large scene of seated Vishnu, flanked by two standing attendants (possibly Bhu and Shri) is placed in the center of the composition, reaching two registers in height. Above and below this image, individual scenes of Vishnu are represented inside distinct cells within the registers. Text boxes help to delineate the registers, and the text, in Telegu script appears to describe the individual scenes. The textile is painted with iron mordants and vegetable dyes. Most noticable is the use of indigo to paint the blue body of Vishnu. The rest of the palate is restricted to warm brown tones. The cotton ground color is off-white to light brown.
218.44 x 129.54 cm (86 x 51 in.)
Purchased by Mrs. Cornelia Mongomery in an antique shop in Kennebunkport, ME around 1950. Has been in the collection of Mrs. Mongomery ever since.
Silk
ChineseLinen, tapestry woven
ByzantineStitched leather, brass, tissue paper, string, and printed instructions
21st centuryGermanTextile fibers
20th centuryGermanInk on silk
20th centuryAustrianTapestry woven in colored wools (chiefly blue) and undyed linen thread. Loop pile of linen thread.
4th-5th century CEByzantinewool pile on a foundation of cotton warps and wefts
20th centuryPersianCotton and wax-covered cotton in yellow and black, twill weave
20th centuryGermanFiber
Spanish