6th – early 7th century
Covered globular jar with short neck, carved decoration of descending lotus petals with flared tips projecting outward at midpoint of body, short, flat circular foot, and four pierced square lug handles encircling the shoulder; the slightly domed cover with knob in the form of a lotus bud; buff earthenware with pale yellowish-green lead-fluxed glaze over carved and incised decoration; base mostly unglazed, with some glaze overflow. Place of manufacture uncertain, probably northern China. One of a set of four burial vessels (2006.170.255-258).
H. 18.6 x Diam. 15.2 cm (7 5/16 x 6 in.)
[The Chinese Porcelain Company, New York, April 2000] sold; to Walter C. Sedgwick Foundation, Woodside, CA (2000-2006), partial gift; to Harvard University Art Museums, 2006.
Light gray stoneware with brown glaze
13th-14th centuryKoreanNumbered Jun ware: light gray stoneware with variegated purple and blue glaze; with Chinese numeral 1 (yi) inscribed on base before firing; "Yangxin dian Changchun shuwu yong" (Hall of Mental Cultivation, used in the Studio of Everlasting Spring) inscription incised on base at a later date
15th centuryChineseSilver
17th-19th centuryFrenchTerracotta; pale yellow clay with slip and applied purple
6th century BCEGreekMarble
GreekBlack earthenware
5th-3rd millennium BCEChineseLight gray stoneware with buff surfaces and localized areas of natural ash glaze. Possibly made near Kyŏngju, North Kyŏngsang province.
11th-13th centuryKoreanWhite earthenware clay, engobe and paraffin decoration, white enamel
20th centurySpanishSilver
17th-19th centuryFrenchBronze
4th century BCEGreekGrayish fritware covered in white slip, with pierced, incised, and carved design under clear alkali glaze
16th-17th century