late 19th century - early 20th century
The pear-shaped body of this pitcher rests on a flat base; a bulbous spout terminates in a ringed opening, and the applied, faceted handle curves from neck to base. The conical lid terminates in a dome-shaped finial. The decoration consists of painted ornament in gold and silver in the shape of crescent, star, and sun motifs. Stamped motifs include small flowers, herring-bone bands, and small leaves with a tiny central knop. The maker’s stamp appears within a sun burst on two sides of the body, and may probably be read as "al-Hamdi."
15.6 cm (6 1/8 in.)
David N. Silich, St. Moritz, Switzerland.
Earthenware with three-color (sancai) lead glaze
12th-13th centuryChineseCeramic
20th centuryJapaneseNorthern black ware of Cizhou type: off-white stoneware with dark brown glaze, the markings in overglaze iron oxide
13th centuryChineseKohiki type: light gray stoneware with pale celadon glaze over brush-applied white slip, the slip carefully applied to form hard-edged geometric patterns, with artist’s mark impressed on the base
21st centuryJapaneseYaozhou ware: light gray stoneware with misfired olive-brown celadon glaze. From the Yaozhou kilns at Tongchuan, Shaanxi province.
12th-13th centuryChineseYue ware: stoneware with celadon glaze
10th centuryChineseCast bronze; with integrally cast inscriptions on vessel floor and interior of cover
11th century BCEChineseSilver
18th centuryAmericanJizhou ware: light gray stoneware with dark brown glaze suffused with buff markings and bluish white streaks. From the kilns at Yonghe, Ji'an, Jiangxi province.
13th-14th centuryChineseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseCeramic
17th centurySpanishGray earthenware with incised decor
Chinese