9th-10th century
Among the most impressive ceramics produced during the reign of the Samanids are the epigraphic wares, so called because their sole or main decoration consists of stately Kufic script. An austere Arabic inscription, which may be read as “The noblest thing is the well-being of my guest” (ashraf al-shay nuzli al-muna), lends surprising majesty to this small jug. Written in black, four words are evenly spaced around the bulbous body, with an almond-shaped lozenge marking the end of the phrase. The tall ascending letters curve gently to the left. The intersection of the neck and body is ringed by a black line, which breaks into a looping motif at the front of the jug, opposite the handle. The black slip is raised slightly above the white surface; a carving tool has been used to sharpen its contours. The jug has been reassembled from thirteen fragments; small losses filled with plaster have been painted white. The reddish earthenware body, including the flat base, is covered entirely in white slip and a slightly yellowish clear glaze.
with handle: H. 10.6 x W. 12.2 x D. 9.4 cm (4 3/16 x 4 13/16 x 3 11/16 in.) Diam. of rim: 8.8 cm (3 7/16 in.)
[Galerie für Griechische, Römische und Byzantinische Kunst, Frankfurt, 1972], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1972-2002), gift; to Harvard Art Museums, 2002.
Terracotta
3rd-2nd century BCEGreekExport blue-and-white ware: porcelain with decoration painted in underglaze cobalt blue
19th centuryChineseTerracotta, gray ware
3rd millennium BCEAnatolianTerracotta
5th century BCEGreekEarthenware
3rd-2nd millennium BCEChineseWhite stoneware with clear glaze over molded decoration and stylized Chinese character "shou" (longevity) impressed into the flat floor; the rim banded with metal
17th-18th centuryChineseCeramic
20th centurySwedishFaience, with turquoise and yellow glaze
8th century BCEIranianFritware
13th centuryPersianPale olive-green glass
2nd-4th century CERomanHigh-tin bronze
7th-8th centuryPersian