9th-10th century
Among the most impressive ceramics produced during the reign of the Samanids are the epigraphic wares, so called because their sole or main decoration consists of stately Kufic script. An austere Arabic inscription, which may be read as “The noblest thing is the well-being of my guest” (ashraf al-shay nuzli al-muna), lends surprising majesty to this small jug. Written in black, four words are evenly spaced around the bulbous body, with an almond-shaped lozenge marking the end of the phrase. The tall ascending letters curve gently to the left. The intersection of the neck and body is ringed by a black line, which breaks into a looping motif at the front of the jug, opposite the handle. The black slip is raised slightly above the white surface; a carving tool has been used to sharpen its contours. The jug has been reassembled from thirteen fragments; small losses filled with plaster have been painted white. The reddish earthenware body, including the flat base, is covered entirely in white slip and a slightly yellowish clear glaze.
with handle: H. 10.6 x W. 12.2 x D. 9.4 cm (4 3/16 x 4 13/16 x 3 11/16 in.) Diam. of rim: 8.8 cm (3 7/16 in.)
[Galerie für Griechische, Römische und Byzantinische Kunst, Frankfurt, 1972], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1972-2002), gift; to Harvard Art Museums, 2002.
Terracotta
6th-5th century BCEGreekTerracotta; buff slip, brown glaze.
3rd-2nd millennium BCECypriotTerracotta
5th century BCEGreekSue ware: gray surfaced reddish-brown stoneware with incised decoration
7th-8th centuryJapaneseLight brown glass
1st-3rd century CERomanTerracotta
2nd-3rd century CERomanTerracotta
4th century BCEEtruscanEnameled porcelain: porcelain with decoration painted in overglaze polychrome and gold enamels and applique molded handle mounts and knob; with bronze bail handles
19th centuryChineseTerracotta; grayish white clay with no slip
16th-12th century BCECypriotSterling silver
20th centuryAmericanTerracotta
4th-1st century BCEGreek