10th century
Repaired from about twenty fragments, but with only small losses, this bowl is decorated with two startled-looking animals— a rooster, and, in its beak, a fish. Their wide-eyed energy is sustained by other sharply angled elements of the design: fins and tail feathers, coxcomb, and fluttering scarf. These creatures have long carried positive associations: the rooster, as the harbinger of dawn, symbolizes hope, while the fish suggests bounty. In religious contexts, the rooster also developed more specifically auspicious connotations: according to a popular epigram attributed to the Prophet Muhammad, he crows when he sees an angel; in Christian tradition, his invigorating sound recalls the faltering to their faith. The glazed base of this bowl bears an undecipherable inscription in Kufic script.
5.9 x 23.2 cm (2 5/16 x 9 1/8 in.)
[Mansour Gallery, London, 1973], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1973-2002), gift; to Harvard Art Museums, 2002.
Terracotta
6th century BCEGreekYaozhou ware: molded light gray stoneware with celadon glaze. From the Yaozhou kilns at Tongchuan, Shaanxi province.
12th-13th centuryChinese
Chrome-plated steel and ebony
20th centuryGermanBuff earthenware with decoration painted in black and burgundy slips. Upper Yellow River Valley area; Gansu, Qinghai, or Ningxia province.
3rd millennium BCEChineseTerracotta with black gloss
5th century BCEGreekYaozhou ware: light gray stoneware with celadon glaze over carved, incised, and combed decoration. From the Yaozhou kilns near Tongchuan, Shaanxi province.
12th-13th centuryChinesewood
ChineseQingbai ware: porcelain with pale sky-blue glaze over trailed ribs of porcelain slip
12th-13th centuryChineseSilver
19th centuryBritishTerracotta, brown ware
3rd millennium BCEAnatolianGlass
20th centurySwedish
Chrome-plated steel and ebony
20th centuryGerman