10th century
Repaired from about twenty fragments, but with only small losses, this bowl is decorated with two startled-looking animals— a rooster, and, in its beak, a fish. Their wide-eyed energy is sustained by other sharply angled elements of the design: fins and tail feathers, coxcomb, and fluttering scarf. These creatures have long carried positive associations: the rooster, as the harbinger of dawn, symbolizes hope, while the fish suggests bounty. In religious contexts, the rooster also developed more specifically auspicious connotations: according to a popular epigram attributed to the Prophet Muhammad, he crows when he sees an angel; in Christian tradition, his invigorating sound recalls the faltering to their faith. The glazed base of this bowl bears an undecipherable inscription in Kufic script.
5.9 x 23.2 cm (2 5/16 x 9 1/8 in.)
[Mansour Gallery, London, 1973], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1973-2002), gift; to Harvard Art Museums, 2002.
Silver
18th centuryFrenchLeaded bronze
5th-3rd century BCEEtruscanGray earthenware with incised decor
ChineseSilver, fruitwood
18th-19th centuryBritishCast bronze
11th-10th century BCEChineseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the russet markings in overglaze iron oxide
12th centuryChineseTerracotta, painted black
4th century BCESouth ItalianTemmoku-type ware; light gray stoneware with wax-resist decoration, the glazed areas with black glaze covered with iron-brown slip glaze
20th centuryJapanesePunch'ŏng ware: light gray stoneware with pale celadon glaze over stamped and incised decoration inlaid with white slip, the exterior with a broad band of white slip applied with a brush
15th centuryKoreanWhite ware: porcelain with light bluish glaze. Probably made at Punwŏn-ri, Kwangju-gun, Kyŏnggi province.
18th centuryKoreanTerracotta; black and red glaze
8th century BCEGreekTerracotta
4th-1st century BCERoman