10th century
Repaired from about twenty fragments, but with only small losses, this bowl is decorated with two startled-looking animals— a rooster, and, in its beak, a fish. Their wide-eyed energy is sustained by other sharply angled elements of the design: fins and tail feathers, coxcomb, and fluttering scarf. These creatures have long carried positive associations: the rooster, as the harbinger of dawn, symbolizes hope, while the fish suggests bounty. In religious contexts, the rooster also developed more specifically auspicious connotations: according to a popular epigram attributed to the Prophet Muhammad, he crows when he sees an angel; in Christian tradition, his invigorating sound recalls the faltering to their faith. The glazed base of this bowl bears an undecipherable inscription in Kufic script.
5.9 x 23.2 cm (2 5/16 x 9 1/8 in.)
[Mansour Gallery, London, 1973], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1973-2002), gift; to Harvard Art Museums, 2002.
Incised celadon ware: light gray stoneware with celadon glaze over incised decoration
12th centuryKoreanSilver
17th-19th centuryFrenchNorthern black ware of Cizhou type: light gray stoneware with black glaze, the decoration painted in overglaze iron-brown slip
12th-13th centuryChinesePale blue glass
RomanTerracotta; pale reddish yellow clay with slip
6th century BCEGreekEnameled blue-and-white ware: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with spurious underglaze cobalt blue mark reading "Da Qing Kangxi nian zhi" on the base
19th centuryChineseBlue-and-white ware: porcelain with molded decoration and underglaze cobalt blue
14th centuryChineseSilver
18th-19th centuryFrenchTerracotta
6th century BCEGreekCeramic
18th centuryJapaneseSilver
DutchGlass
19th centuryGerman