10th century
Repaired from about twenty fragments, but with only small losses, this bowl is decorated with two startled-looking animals— a rooster, and, in its beak, a fish. Their wide-eyed energy is sustained by other sharply angled elements of the design: fins and tail feathers, coxcomb, and fluttering scarf. These creatures have long carried positive associations: the rooster, as the harbinger of dawn, symbolizes hope, while the fish suggests bounty. In religious contexts, the rooster also developed more specifically auspicious connotations: according to a popular epigram attributed to the Prophet Muhammad, he crows when he sees an angel; in Christian tradition, his invigorating sound recalls the faltering to their faith. The glazed base of this bowl bears an undecipherable inscription in Kufic script.
5.9 x 23.2 cm (2 5/16 x 9 1/8 in.)
[Mansour Gallery, London, 1973], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1973-2002), gift; to Harvard Art Museums, 2002.
Underglaze painted composite body
16th centuryOttomanCeramic
ChineseSilver
17th centuryBritishSplashed Jun ware: light gray stoneware with robin's-egg blue glaze enlivened with purple suffusions from copper filings
12th-13th centuryChinesePale olive-green glass
1st-2nd century CERomanPunch'ŏng ware: light gray stoneware with pale celadon glaze over decoration lightly brushed in white slip
16th centuryKoreanSilver
18th centuryBritishBlue-green glazed faience
1st-2nd century CERomanCizhou ware: light gray stoneware with decoration incised and carved into an all-over coating of white slip, the whole piece covered with a clear, transparent glaze
12th centuryChineseSilver
17th centuryBritishCup made from five hundred silver dollars
19th centuryCubanDing ware: Porcelain with pale, ivory-hued glaze over appliqué molded decoration. From North China, probably from the Ding kilns, near Quyang, Hebei province.
9th centuryChinese