10th century
Repaired from about twenty fragments, but with only small losses, this bowl is decorated with two startled-looking animals— a rooster, and, in its beak, a fish. Their wide-eyed energy is sustained by other sharply angled elements of the design: fins and tail feathers, coxcomb, and fluttering scarf. These creatures have long carried positive associations: the rooster, as the harbinger of dawn, symbolizes hope, while the fish suggests bounty. In religious contexts, the rooster also developed more specifically auspicious connotations: according to a popular epigram attributed to the Prophet Muhammad, he crows when he sees an angel; in Christian tradition, his invigorating sound recalls the faltering to their faith. The glazed base of this bowl bears an undecipherable inscription in Kufic script.
5.9 x 23.2 cm (2 5/16 x 9 1/8 in.)
[Mansour Gallery, London, 1973], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1973-2002), gift; to Harvard Art Museums, 2002.
Glazed stoneware
20th centuryGermanTerracotta
1st-3rd century CERomanGilded silver
19th centuryEuropeanMetal
16th centuryItalianTerracotta
4th century BCEGreekOnda ware: light gray stoneware with pale olive glaze over brush-applied white slip enlivened with chatter marks on the exterior
21st centuryJapaneseTerracotta
Numbered Jun ware: light gray stoneware with variegated purple and blue glaze; with Chinese numeral 3 (san) inscribed on base before firing
15th centuryChineseGray earthenware with cold painted pigment on interior
2nd-1st century BCEChineseSilver
20th centuryDanishJian ware: dark gray stoneware with dark brown glaze, the markings in iron oxide. From the Jian kilns at Jianyang, Fujian province.
12th-13th centuryChineseFritware with overglaze painted luster decoration
12th-13th centuryPersian