10th century
Repaired from about twenty fragments, but with only small losses, this bowl is decorated with two startled-looking animals— a rooster, and, in its beak, a fish. Their wide-eyed energy is sustained by other sharply angled elements of the design: fins and tail feathers, coxcomb, and fluttering scarf. These creatures have long carried positive associations: the rooster, as the harbinger of dawn, symbolizes hope, while the fish suggests bounty. In religious contexts, the rooster also developed more specifically auspicious connotations: according to a popular epigram attributed to the Prophet Muhammad, he crows when he sees an angel; in Christian tradition, his invigorating sound recalls the faltering to their faith. The glazed base of this bowl bears an undecipherable inscription in Kufic script.
5.9 x 23.2 cm (2 5/16 x 9 1/8 in.)
[Mansour Gallery, London, 1973], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1973-2002), gift; to Harvard Art Museums, 2002.
Terracotta
1st-3rd century CERomanTerracotta
GreekBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue; with underglaze cobalt-blue mark reading "Da Qing Kangxi nian zhi" in a double circle on the base
17th-18th centuryChinesePorcelain with decoration painted in overglaze red, yellow, green, and black enamels; with underglaze cobalt-blue mark reading "Da Ming Jiajing nian zhi" on the base
16th centuryChineseGray stoneware
2nd-1st century BCEChineseTerracotta
4th millennium BCEUbaidPale blue-green glass
1st-3rd century CERomanCold-painted funerary ware: light gray earthenware with decoration cold-painted in polychrome pigments on a blackened ground
2nd-1st century BCEChineseTerracotta
5th centuryGreekFritware, black painted under turquoise glaze
12th-13th centurySyrian