early to mid-16th century
The subject of the recumbent lioness is known from a corpus of drawings and paintings executed during the late Timurid and Safavid periods. With slight variations, these artworks depict the lioness in a pose of relaxation, tethered by a chain attached to a belled collar. The drawings share a technique that uses stippling or short lines (without hatching) to convey the contours and mass of the lioness as well as the texture of her coat. In this example, fine lines and dots of reddish brown, black, and white have been applied over the ivory-colored paper. Around the muzzle, ear tips, belly, and rump, white opaque watercolor is introduced, contrasting with the lines and dots and lending the drawing greater depth. The lioness’s eyes, collar, and chain are accented with gold. Now mounted on a sheet of modern paper, the drawing lacks any trace of a signature or attribution, but it can be linked through a sequence of closely related works to a prototype originated by the renowned artist Kamal al-Din Bihzad (d. 1535–36). Two extant examples carry credible attributions to Bizhad, and more are either ascribed to him or signed by other artists, such as Murad or Shah Muhammad Isfahani. Judging by the number of imitative responses, the recumbent lioness was one of Bihzad’s most appreciated artworks, whose resonance endured into the seventeenth century.
14.5 x 20.8 cm (5 11/16 x 8 3/16 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
Black crayon on paper
20th centuryGerman?Graphite on paper
20th centuryGermanGreen crayon on cream wove paper
20th centuryGermanBlack ink on white wove paper
21st centuryAmericanWatercolor over black chalk on off-white wove paper
20th centuryAmericanRed chalk on blue laid paper
19th-20th centuryAmericanGraphite on paper
20th centuryAmericanBlack and red marker and black pen on paper
20th centuryGermanBlack ink over graphite on off-white card
19th centuryAmericanGray ink, squared in graphite, on beige wove paper
18th-19th centuryBritish?Black marker on paper
Ink and orange color on paper
18th centuryIndian