early to mid-16th century
The subject of the recumbent lioness is known from a corpus of drawings and paintings executed during the late Timurid and Safavid periods. With slight variations, these artworks depict the lioness in a pose of relaxation, tethered by a chain attached to a belled collar. The drawings share a technique that uses stippling or short lines (without hatching) to convey the contours and mass of the lioness as well as the texture of her coat. In this example, fine lines and dots of reddish brown, black, and white have been applied over the ivory-colored paper. Around the muzzle, ear tips, belly, and rump, white opaque watercolor is introduced, contrasting with the lines and dots and lending the drawing greater depth. The lioness’s eyes, collar, and chain are accented with gold. Now mounted on a sheet of modern paper, the drawing lacks any trace of a signature or attribution, but it can be linked through a sequence of closely related works to a prototype originated by the renowned artist Kamal al-Din Bihzad (d. 1535–36). Two extant examples carry credible attributions to Bizhad, and more are either ascribed to him or signed by other artists, such as Murad or Shah Muhammad Isfahani. Judging by the number of imitative responses, the recumbent lioness was one of Bihzad’s most appreciated artworks, whose resonance endured into the seventeenth century.
14.5 x 20.8 cm (5 11/16 x 8 3/16 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
Black ink, watercolor and gold on off-white paper
16th centuryOttomanLeather
19th centuryIndianLeft: brown and light red inks over graphite; pricked and verso rubbed with red chalk; Right: brown ink and blue colored pencil on off-white wove paper; pricked and rubbed with red chalk (recto)
19th centuryPersianInk, opaque watercolor, and gold on paper
16th centuryIndianOpaque watercolor and gold on paper
16th-17th centuryOttoman?Opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, color and gold on paper
17th centuryPersianOpaque watercolor on paper
19th centuryIndianOpaque watercolor on paper
19th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndian