late 12th-early 13th century
In the center of this bowl two harpies (composite bird-women) are turned toward each other, their tail feathers joining overhead in an ogival arch. In Islamic lands these mythical creatures were associated astrologically with the planet Mercury and were considered generally auspicious. Foliate arabesques sprout from the harpies’ joined tails and fill the space below their feet. Encircling the bowl on the exterior is a single band of cursive script; it contains four hemistichs of medieval Persian poetry, which read, Beware, O friend, things have gotten out of hand. In knowing you [my] days have been lost. I had silver and gold, patience and sobriety. In the grief inflicted by you all four have been lost. The bowl has been reassembled from fragments with only minor losses and overpainting.
7 x 16 cm (2 3/4 x 6 5/16 in.)
[Sotheby's London, April 1975], sold; through [Mansour Gallery, London, 1975]; to Stanford and Norma Jean Calderwood, Belmont, MA (1975-2002), gift; to Harvard Art Museums, 2002.
Fritware, black painted under turquoise glaze (some modern over paint inside)
12th-13th centurySyrianSilver
AmericanTerracotta
2nd century CERomanMetal
20th centuryGermanJun ware: light gray stoneware with robin's-egg blue glaze
12th centuryChineseReddish earthenware covered in white slip and painted with black (manganese and iron) under clear lead glaze
10th centuryDing ware: porcelaneous white stoneware with ivory-hued glaze over incised and carved decoration, the unglazed rim bound with brass. From the Ding kilns at Quyang, Hebei province.
11th-12th centuryChineseLight gray stoneware with carved decoration under celadon glaze
20th centuryKoreanSilver, fruitwood, ivory
18th centuryBritishReddish earthenware covered in white slip and painted with black (manganese and iron) under clear lead glaze
9th-10th centuryPersian