late 12th-early 13th century
In the center of this bowl two harpies (composite bird-women) are turned toward each other, their tail feathers joining overhead in an ogival arch. In Islamic lands these mythical creatures were associated astrologically with the planet Mercury and were considered generally auspicious. Foliate arabesques sprout from the harpies’ joined tails and fill the space below their feet. Encircling the bowl on the exterior is a single band of cursive script; it contains four hemistichs of medieval Persian poetry, which read, Beware, O friend, things have gotten out of hand. In knowing you [my] days have been lost. I had silver and gold, patience and sobriety. In the grief inflicted by you all four have been lost. The bowl has been reassembled from fragments with only minor losses and overpainting.
7 x 16 cm (2 3/4 x 6 5/16 in.)
[Sotheby's London, April 1975], sold; through [Mansour Gallery, London, 1975]; to Stanford and Norma Jean Calderwood, Belmont, MA (1975-2002), gift; to Harvard Art Museums, 2002.
Silver
18th centuryBritishBronze
9th-10th centuryCopticSancai ("three-color") ware: white earthenware with lead-fluxed clear, emerald-green, and caramel-brown glazes over stamped decoration on the interior and lead-fluxed caramel-brown glaze on the exterior. Probably from kilns at Luoyang or Gongxian, Henan province.
8th centuryChineseLeaded bronze
1st-2nd century CERomanMetal
20th centuryGermanSilver
18th centuryBritishStoneware with variegated blue glaze, the exposed body at the foot coated with an iron brown slip
19th centuryChineseSilver
17th centuryBritishUnglazed stoneware: light gray stoneware with incised and combed decoration. Reportedly recovered in Ch'ulp'o, near the Puan kilns, Puan-gun, North Chŏlla province.
13th centuryKorean