10th century
White, curving horns appear to sprout from the red head of the enigmatic figure whose outstretched arms and running legs fill the contours of this bowl. Perhaps a bull’s head is represented, but the blurring of the black pigment in the glaze has obscured the artist’s intentions here and elsewhere. The rendering of the hands is equally ambiguous, possibly meant to suggest the thumb and knuckles of a clenched fist. The hand reaching backward appears to hold a leafy branch. The space around the figure is filled with a miscellany of motifs, including a flower, a palmette, fragmentary letters in Kufic script, and a bird. Groups of four or five short lines divide the rim into five sections, colored either green or yellow. This bowl closely resembles figural wares with buff-colored bodies reported by Charles Wilkinson to have come from excavations at Nishapur. Here, however, the off-white background is obtained from slip covering a reddish ceramic fabric, and the yellow background results from staining from fine chromite particles, rather than the more customary lead-tin or lead-antimony. The base, which is slightly concave and beveled, is only partially covered by the slip. The bowl, once broken, is in good condition, having been put back together from at least four major fragments. On the interior, overpainting is largely limited to the center: the figure’s collar and shoulders, his groin, and the upper lapels of his torso.
8 x 26.8 cm (3 1/8 x 10 9/16 in.)
[Hadji Baba Ancient Art, London,1985], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1985-2002), gift; to Harvard Art Museums, 2002.
Silver and glass
19th centuryAmericanTerracotta
7th centuryByzantineLight gray stoneware with pale celadon glaze over decoration painted in iron-brown slip. Reportedly recovered in North or South Chŏlla province.
16th-17th centuryKoreanSilver
18th centuryFrenchLongquan celadon ware: molded, light gray stoneware with cloudy celadon glaze and with appliqué legs. From the Longquan kilns, Zhejiang province.
12th-13th centuryChineseEnamelled porcelain: porcelain with decoration in overglaze polychrome enamels, with inscriptions on base of each reading "Dainippon Kutani Shei-ei-do-sei"
19th centuryJapaneseSilver, fruitwood, ivory
18th centuryBritishCeramic
17th centuryDutchPorcelain with dark brown glaze, the decoration in overglaze golden slip
19th-20th centuryJapaneseTerracotta; greenish clay, black glaze and red paint
6th century BCEGreekCeramic
18th centuryJapaneseTerracotta
5th century BCEGreek