10th-11th century
The decoration on the interior of this vessel is characteristic of slip-painted wares now generally attributed to workshops in a region south of the Caspian Sea. Typically, as here, the design of these bowls is dominated by a single large, leftward-facing bird with distended belly, elaborately crested head, and two-colored, bifurcated tail. Birds and surrounding flowers are often outlined in a darker color that may be topped with tiny white dots; white dots also accent dark spots on the bird’s body. Off-white slip and green-tinged glaze completely coat the interior of this bowl. On the exterior, the slip only patchily covers the walls, and the glaze is restricted to the area around the rim. The concave base is uncoated. The bowl has been reassembled from about ten fragments, with plaster replacing losses in the lower left quadrant of the center, and it retains earlier and rather awkward overpainting of the bird’s lower belly and legs.
8.7 x 23.8 cm (3 7/16 x 9 3/8 in.)
[Mansour Gallery, London, 1971], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1971-2002), gift; to Harvard Art Museums, 2002.
Silver
18th centuryFrenchWhite earthenware with applique elements. Middle and Lower Yellow River area; Shandong and Jiangsu provinces; probably from Shandong province.
5th-3rd millennium BCEChineseSoft-paste porcelain with colorless glaze over molded decoration
19th centuryChineseSilver
19th-20th centuryJapaneseTerracotta
Fritware, black painted under clear turquoise glaze
12th-13th centurySyrianCarved rhinoceros horn
17th centuryChineseSilver, ebony
19th centuryAmericanTerracotta
GreekEnameled porcelain, "famille noir" type: porcelain with overglaze polychrome enamels; with underglaze cobalt-blue hallmark of an artemisia leaf with a ribbon
17th-19th centuryChineseEarthenware with traces of slip-painted decoration
5th millennium BCEChineseTerracotta
Greek