10th-11th century
The decoration on the interior of this vessel is characteristic of slip-painted wares now generally attributed to workshops in a region south of the Caspian Sea. Typically, as here, the design of these bowls is dominated by a single large, leftward-facing bird with distended belly, elaborately crested head, and two-colored, bifurcated tail. Birds and surrounding flowers are often outlined in a darker color that may be topped with tiny white dots; white dots also accent dark spots on the bird’s body. Off-white slip and green-tinged glaze completely coat the interior of this bowl. On the exterior, the slip only patchily covers the walls, and the glaze is restricted to the area around the rim. The concave base is uncoated. The bowl has been reassembled from about ten fragments, with plaster replacing losses in the lower left quadrant of the center, and it retains earlier and rather awkward overpainting of the bird’s lower belly and legs.
8.7 x 23.8 cm (3 7/16 x 9 3/8 in.)
[Mansour Gallery, London, 1971], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1971-2002), gift; to Harvard Art Museums, 2002.
Blue-and-white ware: porcelain with decoration painted in underglaze cobalt blue. From the kilns at Punwŏn-ri, Kwangju-gun, Kyŏnggi province.
18th centuryKoreanPale blue-green glass
1st-3rd century CERomanTerracotta
4th-1st century BCEPunicBiscuit porcelain with decoration painted in green, aubergine, turquoise, and black enamels against a yellow enamel ground; with spurious underglaze cobalt-blue mark reading "Da Ming Chenghua nian zhi" within a double circle on the base
17th centuryChineseCeramic with wicker base
20th centuryTerracotta
6th century BCEEtruscanSilver, fruitwood
18th centuryBritishSilver
18th centuryBritishTerracotta
Graeco-RomanPlain celadon ware: light gray stoneware with celadon glaze
12th centuryKoreanTerracotta
2nd-1st century BCEGreekTerracotta
6th century BCEGreek