10th-11th century
The decoration on the interior of this vessel is characteristic of slip-painted wares now generally attributed to workshops in a region south of the Caspian Sea. Typically, as here, the design of these bowls is dominated by a single large, leftward-facing bird with distended belly, elaborately crested head, and two-colored, bifurcated tail. Birds and surrounding flowers are often outlined in a darker color that may be topped with tiny white dots; white dots also accent dark spots on the bird’s body. Off-white slip and green-tinged glaze completely coat the interior of this bowl. On the exterior, the slip only patchily covers the walls, and the glaze is restricted to the area around the rim. The concave base is uncoated. The bowl has been reassembled from about ten fragments, with plaster replacing losses in the lower left quadrant of the center, and it retains earlier and rather awkward overpainting of the bird’s lower belly and legs.
8.7 x 23.8 cm (3 7/16 x 9 3/8 in.)
[Mansour Gallery, London, 1971], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1971-2002), gift; to Harvard Art Museums, 2002.
Earthenware with slip-painted decoration and turquoise inlays
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15th centuryChineseTerracotta
GreekGreen Jun ware: light gray stoneware with celadon glaze
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18th centuryBritishCast bronze; Zhengzhou phase, Erligang type
16th-15th century BCEChineseCopper
19th centuryOttomanTerracotta
Yue ware: stoneware with celadon glaze
3rd-4th century CEChineseSilver
18th centuryBritishPunch'ŏng ware: light gray stoneware with pale celadon glaze over decoration lightly brushed in white slip
16th centuryKoreanNickel silver and ebony
20th centuryGerman