early 13th century
The interior of this impressive vessel is decorated with two large-scale, seated figures whose long-sleeved garments signal their courtly status. Tiraz bands on the upper arms of one figure’s caftan offer an additional indication of wealth and prestige. A bird in the tree between the pair and a second bird below them suggest a garden setting. The background is decorated with tiny spirals incised in the luster. These background spirals, combined with the representation of the figures in reserve, are characteristic of the so-called Kashan style of luster ceramics. Bands on the wall and rim of the vessel contain Persian words that are mostly illegible due to the compromised condition of the dish. The inner inscription is written in luster on a white ground; the one on the rim is incised on a luster ground, now quite abraded. All that can be deciphered of the inner inscription is “Rustam from an infatuated heart . . .”. Prior to its arrival at the Harvard Art Museums, this chrager was reconstructed from many small pieces and the entire inner surface covered in clear varnish. The rim and walls are nearly half recomposed from plaster and alien bits of ceramic. The center has been reassembled from original fragments, although the fish on the left side may come from another luster vessel. The exterior of the charger is decorated with loosely painted circles. The base is smoothed with a modern layer of clay.
6.3 x 26.4 cm (2 1/2 x 10 3/8 in.)
[Mansour Gallery, London, 1973], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1973-2002), gift; to Harvard Art Museums, 2002.
Jian ware: gray stoneware with dark brown glaze, the markings in iron oxide. From the kilns at Shuiji, Jianyang county, Fujian province.
12th-13th centuryChineseQingbai ware: molded porcelain with pale sky-blue glaze
12th-13th centuryChineseLongquan celadon ware: light gray stoneware with grayish olive celadon glaze over applique decoration
12th-13th centuryChineseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the markings in overglaze iron oxide. Probably from the kilns at Zibo, Shandong province.
12th-13th centuryChineseLight gray stoneware with kiln-darkened surface and with localized areas of natural ash glaze, the natural glaze droplets now disintegrated and flaked away
11th-13th centuryKoreanPainted Jizhou ware: off-white stoneware with decoration painted in underglaze iron slip under clear glaze. From the kilns at Yonghe, Ji'an, Jiangxi province.
13th-14th centuryChineseYaozhou ware: molded light gray stoneware with celadon glaze. From the Yaozhou kilns at Tongchuan, Shaanxi province.
12th-13th centuryChineseUnderglazed, painted fritware
13th-14th centuryPersianDing ware: porcelaneous white stoneware with ivory-hued glaze over mold-impressed decoration, the unglazed rim bound with metal. From the Ding kilns at Quyang, Hebei province.
12th-13th centuryChineseSplashed Jun ware: light gray stoneware with robin's-egg blue glaze enlivened with purple suffusions from copper filings
12th-13th centuryChineseLongquan celadon ware: light gray stoneware with cloudy celadon glaze over appliqué decorative elements. From the Longquan kilns, Zhejiang province.
13th-14th centuryChineseFritware with slip painting and sgraffito decoration under turquoise glaze (silhouette-ware)
12th-13th centuryPersian