early 13th century
The interior of this impressive vessel is decorated with two large-scale, seated figures whose long-sleeved garments signal their courtly status. Tiraz bands on the upper arms of one figure’s caftan offer an additional indication of wealth and prestige. A bird in the tree between the pair and a second bird below them suggest a garden setting. The background is decorated with tiny spirals incised in the luster. These background spirals, combined with the representation of the figures in reserve, are characteristic of the so-called Kashan style of luster ceramics. Bands on the wall and rim of the vessel contain Persian words that are mostly illegible due to the compromised condition of the dish. The inner inscription is written in luster on a white ground; the one on the rim is incised on a luster ground, now quite abraded. All that can be deciphered of the inner inscription is “Rustam from an infatuated heart . . .”. Prior to its arrival at the Harvard Art Museums, this chrager was reconstructed from many small pieces and the entire inner surface covered in clear varnish. The rim and walls are nearly half recomposed from plaster and alien bits of ceramic. The center has been reassembled from original fragments, although the fish on the left side may come from another luster vessel. The exterior of the charger is decorated with loosely painted circles. The base is smoothed with a modern layer of clay.
6.3 x 26.4 cm (2 1/2 x 10 3/8 in.)
[Mansour Gallery, London, 1973], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1973-2002), gift; to Harvard Art Museums, 2002.
Jizhou ware: light gray stoneware with dark brown and transparent amber glazes. From the kilns at Yonghe, Ji'an, Jiangxi province.
12th-13th centuryChineseJizhou ware: light gray stoneware with dark brown glaze and with papercut decoration reserved in dark brown glaze against a variegated buff ground on the interior. From the kilns at Yonghe, Ji'an, Jiangxi province.
12th-13th centuryChineseFritware painted with luster (copper and silver) over blue (cobalt) transparent alkali glaze
12th-13th centuryIslamicJian ware: medium gray stoneware with dark brown glaze, the decoration painted in overglaze gold. Perhaps from the kilns at Shuiji, Jianyang county, Fujian province.
13th-14th centuryChinesePainted Jizhou ware: very light gray stoneware with clear glaze over decoration painted in iron-brown slip; with two-character inscription reading 'Yuwang' incised on the base. From the Jizhou kilns near Yonghe, Ji'an, Jiangxi province.
13th-14th centuryChineseFritware
13th centuryPersianSimulated jiaotai ware; light gray stoneware with pale yellow glaze over appliqué thin layers of brown and white clays laminated to simulate marbling
11th-13th centuryChineseFritware with molded decoration under white glaze
12th-13th centuryPersianCizhou-type cut-glaze ware: light gray stoneware with dark brown glaze, the decoration cut into the glaze before firing to reveal the light gray body, the revealed body clay dressed with white glaze in localized areas
13th-14th centuryChineseLongquan celadon ware: molded light gray stoneware with grayish olive celadon glaze
12th-13th centuryChineseQingbai ware: porcelain with pale sky-blue glaze over combed, molded, and openwork decoration
12th-13th centuryChineseYaozhou ware: molded light gray stoneware with celadon glaze. From the Yaozhou kilns at Tongchuan, Shaanxi province.
12th-13th centuryChinese