late 16th century to early 17th century
In this scene Siyavush shown galloping into the fire while his father, also mounted, watches anxiously from the forecourt of his nearby palace. Peering from the window above is the would-be seductress, Sudaba, who gestures toward Siyavush. The handsome prince, his black mount, and the towering golden flames that engulf them are here closer to the center of the composition. Although hairstyles and headgear differ, the two versions of this scene in the Calderwood Collection feature similar architectural decoration. Furthermore, the compositional elements that they share irrespective of format suggest the existence of an established iconographic convention for illustrating this episode of the Shahnama.
34 x 21.4 cm (13 3/8 x 8 7/16 in.)
[Hadji Baba Ancient Art, London, 1985], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1985-2002), gift; to Harvard Art Museums, 2002.
Ink, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianPainting with text; ink, opaque watercolor and gold on paper; Binding: leather with cloth cover
18th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryOttomanOpaque watercolor on paper
19th centuryIndianDouble-sided, detached leaf from an incomplete manuscript; ink, color, and gold on black paper
18th centuryNepaleseInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryOttomanFolding book mounted [during the Muromachi period] as a handscroll; ink on ōbaku
12th centuryJapaneseInk, opaque watercolor and gold on paper
19th centuryOttoman