late 16th century to early 17th century
In this scene Siyavush shown galloping into the fire while his father, also mounted, watches anxiously from the forecourt of his nearby palace. Peering from the window above is the would-be seductress, Sudaba, who gestures toward Siyavush. The handsome prince, his black mount, and the towering golden flames that engulf them are here closer to the center of the composition. Although hairstyles and headgear differ, the two versions of this scene in the Calderwood Collection feature similar architectural decoration. Furthermore, the compositional elements that they share irrespective of format suggest the existence of an established iconographic convention for illustrating this episode of the Shahnama.
34 x 21.4 cm (13 3/8 x 8 7/16 in.)
[Hadji Baba Ancient Art, London, 1985], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1985-2002), gift; to Harvard Art Museums, 2002.
Two-sided horizontal accordion-fold manuscript; ink, color, and gold on paper; with lacquered covers with gold-painted decor
19th centuryThaiInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
18th centuryIndianInk and opaque watercolor on paper
12th centuryIslamicInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, colors, and gold on paper
16th centuryPersianText; ink, opaque watercolor and gold on paper, with black and gold binding
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersian