14th century
On the interior, this bowl is divided into ten radial sections, corresponding with its sides, that feature two alternating designs. One is pseudo-calligraphic, proceeding from the center of the bowl to the rim, with horizontal elements contracting and verticals expanding. The other design is tripartite and abstract. The intricacy and dark coloration of the interior contrast with the cheerful simplicity of the outside, where the white ceramic body remains more visible through a surface embellishment of lines and dots. The shape and decoration of this bowl are common among wares attributed to the Ilkhanid period, although their production place has not been definitively established.
9.7 x 13.6 cm (3 13/16 x 5 3/8 in.)
[Mansour Gallery, London, 1975], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1975-2002), gift; to Harvard Art Museums, 2002.
Silver
18th centuryBritishPorphyry with gold ormoulu mounts
18th centuryFrenchQingbai ware: porcelain with sky blue glaze over trailed ribs of porcelain slip
12th centuryChineseProbably misfired Longquan celadon ware: light gray stoneware with transparent, olive-hued celadon glaze over appliqué molded decoration
13th-14th centuryChineseTerracotta, brown-gray ware
3rd millennium BCEAnatolianArita enameled ware, Imari type: porcelain with decoration painted in underglaze cobalt blue and overglaze red and gold enamels; with Johanneum mark incised into the glaze on the base
17th-18th centuryJapanesePorcelain with carved decoration and overglaze pale green enamel; with underglaze cobalt blue mark (probably spurious) reading "Da Qing Kangxi nian zhi" on the base
18th-19th centuryChineseLongquan celadon ware: light gray stoneware with translucent celadon glaze over mold-impressed decoration. From the Longquan kilns at Longquan, Zhejiang province.
14th centuryChineseDing ware: porcelaneous white stoneware with ivory-hued glaze over incised decoration. From the Ding kilns at Quyang, Hebei province.
10th-11th centuryChineseLight gray stoneware with pale celadon glaze over decoration painted in iron-brown slip
17th-18th centuryKoreanGray stoneware with variegated clear, white, and pale lavender blue glazes over impressed decoration (so-called "mishima" technique); with incised signature of the artist reading "Makoto YABE" on the unglazed base, the surname written idiosyncratically
21st centuryJapaneseTerracotta; greenish clay, brown glaze
6th century BCEGreek