14th century
On the interior, this bowl is divided into ten radial sections, corresponding with its sides, that feature two alternating designs. One is pseudo-calligraphic, proceeding from the center of the bowl to the rim, with horizontal elements contracting and verticals expanding. The other design is tripartite and abstract. The intricacy and dark coloration of the interior contrast with the cheerful simplicity of the outside, where the white ceramic body remains more visible through a surface embellishment of lines and dots. The shape and decoration of this bowl are common among wares attributed to the Ilkhanid period, although their production place has not been definitively established.
9.7 x 13.6 cm (3 13/16 x 5 3/8 in.)
[Mansour Gallery, London, 1975], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1975-2002), gift; to Harvard Art Museums, 2002.
Lacquer
19th centuryChineseSancai ("three-color") ware: white earthenware with lead-fluxed clear, emerald-green, and caramel-brown glazes over stamped decoration on the interior and lead-fluxed caramel-brown glaze on the exterior. Probably from kilns at Luoyang or Gongxian, Henan province.
8th centuryChineseNumbered-Jun-type ware: light gray stonware with variegated lavender-blue glaze, the glaze shading to olive brown where thin
15th centuryChineseSilver
20th centuryDanishLongquan celadon ware: light gray stoneware with bluish green celadon glaze. From the Longquan kilns at Longquan, Zhejiang province.
12th-13th centuryChineseSea green nephrite
18th-19th centuryChineseSilver
18th centuryAmericanSilver
18th centuryBritishMarble
3rd millennium BCECycladicSilver
18th centuryIrishEnamel on metal
19th centuryFrenchEnameled red-and-white ware, "youli hong" type: porcelain with decoration painted in underglaze copper red and overglaze yellow enamel; with underglaze cobalt blue mark reading "Da Qing Yongzheng nian zhi" within the hollow stem
18th centuryChinese