14th century
On the interior, this bowl is divided into ten radial sections, corresponding with its sides, that feature two alternating designs. One is pseudo-calligraphic, proceeding from the center of the bowl to the rim, with horizontal elements contracting and verticals expanding. The other design is tripartite and abstract. The intricacy and dark coloration of the interior contrast with the cheerful simplicity of the outside, where the white ceramic body remains more visible through a surface embellishment of lines and dots. The shape and decoration of this bowl are common among wares attributed to the Ilkhanid period, although their production place has not been definitively established.
9.7 x 13.6 cm (3 13/16 x 5 3/8 in.)
[Mansour Gallery, London, 1975], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1975-2002), gift; to Harvard Art Museums, 2002.
Gray stoneware
11th-13th centuryKoreanNumbered Jun ware: light gray stoneware with variegated purple glaze; with Chinese numeral 2 (er) inscribed on base before firing
15th centuryChineseOnda ware, 'zogan' technique: light gray stoneware with pale olive glaze over brush-applied white slip on the interior and over white slip brushed over chatter marks on the exterior; with three- (or four-?) character stamp of the Onda kilns impressed on the base
21st centuryJapanese
Bronze
8th-6th century BCESilver
17th centuryBritishTerracotta
5th century BCEGreekTerracotta
EuropeanSilver, fruitwood
18th-19th centuryBritishSilver
17th centuryBritishTerracotta
Metal
20th centuryGerman