14th century
On the interior, this bowl is divided into ten radial sections, corresponding with its sides, that feature two alternating designs. One is pseudo-calligraphic, proceeding from the center of the bowl to the rim, with horizontal elements contracting and verticals expanding. The other design is tripartite and abstract. The intricacy and dark coloration of the interior contrast with the cheerful simplicity of the outside, where the white ceramic body remains more visible through a surface embellishment of lines and dots. The shape and decoration of this bowl are common among wares attributed to the Ilkhanid period, although their production place has not been definitively established.
9.7 x 13.6 cm (3 13/16 x 5 3/8 in.)
[Mansour Gallery, London, 1975], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1975-2002), gift; to Harvard Art Museums, 2002.
Jian ware: dark gray stoneware with dark brown glaze, the markings in iron oxide. Probably from the kilns at Shuiji, Jianyang county, Fujian province
12th-13th centuryChineseLongquan celadon ware: light gray stoneware with bluish green celadon glaze over applique decoration
12th-13th centuryChineseSilver, fruitwood
18th centuryBritishBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue; with underglaze cobalt-blue hallmark in a double square, all within a double circle
19th centuryChineseElectrotype, copper, silver, and silver-gilt, nautilus shell
20th centuryGermanPunch'ŏng ware with incised decoration over brushed white slip
15th centuryKoreanSilver
1st century BCERomanCeramic
18th centuryDutchCast bronze with gray-green patina; with an inscription cast on both the vessel floor and lid interior
14th-11th century BCEChineseTerracotta
4th-3rd century BCESouth ItalianTerracotta
Alabaster
16th-11th century BCEEgyptian