14th century
Radial lines divide the interior of this bowl into twelve sections, which are decorated with three different designs—foliate motifs, cursive forms, and series of dots and fine lines. A narrow band encircles the bowl just under the flat, patterned rim. Circling the upper exterior is a cobalt-blue pseudo-inscription; below this is another band containing black scrollwork roundels.The foliate and line-and-dot motifs of this bowl, as well as the use and placement of cobalt, recall the lusterwares of the Seljuk-Atabeg period. Those prestigious vessels likely provided design inspiration for less expensive underglaze-painted wares like this one, which typifies Ilkhanid bowls in shape and decoration. Although the glaze has suffered abrasion and is cracked in several places, the bowl itself is intact.
11 x 22.3 cm (4 5/16 x 8 3/4 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (1978-2002), gift; to Harvard Art Museums, 2002.
Stone
3rd millennium BCEEgyptianPewter
18th centuryFrenchSilver and fruitwood
18th centuryAmericanJian ware: dark gray stoneware with dark brown glaze, the markings in iron oxide; the saggar fragments made of coarse reddish buff firing clay. Recovered from the kilns at Shuiji, Jianyang county, Fujian province
12th-13th centuryChineseCeramic
18th centuryJapaneseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the decoration painted in overglaze iron oxide
12th centuryChineseSilver
17th centuryBritishFritware painted with luster (copper and silver) over white lead alkali glaze opacified with tin
12th-13th centuryPersianLight gray stoneware with blackened surfaces, the decoration polished into the matte surface before firing
5th-3rd century BCEChineseBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue; with underglaze cobalt-blue double circle on the base
17th-18th centuryChinese