14th century
Radial lines divide the interior of this bowl into twelve sections, which are decorated with three different designs—foliate motifs, cursive forms, and series of dots and fine lines. A narrow band encircles the bowl just under the flat, patterned rim. Circling the upper exterior is a cobalt-blue pseudo-inscription; below this is another band containing black scrollwork roundels.The foliate and line-and-dot motifs of this bowl, as well as the use and placement of cobalt, recall the lusterwares of the Seljuk-Atabeg period. Those prestigious vessels likely provided design inspiration for less expensive underglaze-painted wares like this one, which typifies Ilkhanid bowls in shape and decoration. Although the glaze has suffered abrasion and is cracked in several places, the bowl itself is intact.
11 x 22.3 cm (4 5/16 x 8 3/4 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (1978-2002), gift; to Harvard Art Museums, 2002.
Metal
20th centuryGermanTerracotta
GreekPunch'ŏng ware: light gray stoneware with pale celadon glaze over decoration incised through the white-slip ground. Reportedly recovered on Cheju Island in winter 1962-1963.
15th centuryKoreanAgate with brown and gray mottles; silver cover
19th centuryChineseSilver
18th centuryIrishBronze
ChineseWood
19th-20th centuryKuba (Bushongo)Sterling silver
20th centuryAmericanSilver
18th centuryBritishTerracotta
GreekHuangpu black-glazed ware: light gray stoneware with dark brown glaze decoratively applied over a thick coat of white slip that covers the interior and that portion of the exterior under the lip. From the Huangpu kiln, Tongchuan, Yaozhou county, Shaanxi province.
9th-10th centuryChineseBrass
15th centuryGerman