14th century
Radial lines divide the interior of this bowl into twelve sections, which are decorated with three different designs—foliate motifs, cursive forms, and series of dots and fine lines. A narrow band encircles the bowl just under the flat, patterned rim. Circling the upper exterior is a cobalt-blue pseudo-inscription; below this is another band containing black scrollwork roundels.The foliate and line-and-dot motifs of this bowl, as well as the use and placement of cobalt, recall the lusterwares of the Seljuk-Atabeg period. Those prestigious vessels likely provided design inspiration for less expensive underglaze-painted wares like this one, which typifies Ilkhanid bowls in shape and decoration. Although the glaze has suffered abrasion and is cracked in several places, the bowl itself is intact.
11 x 22.3 cm (4 5/16 x 8 3/4 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (1978-2002), gift; to Harvard Art Museums, 2002.
Hard-paste porcelain with enamel and gilt decoration.
20th centuryGermanBlack Yaozhou ware: light gray stoneware with dark brown glaze, the decoration painted in overglaze iron oxide. From the Huangpu kiln complex, Tongchuan, Yaozhou county, Shaanxi province
11th centuryChineseLeaded bronze
1st century BCEGraeco-RomanNumbered Jun ware: light gray stoneware with variegated purple and blue glaze; with Chinese numeral 3 (san) inscribed on base before firing
15th centuryChineseBuff earthenware with decoration painted in black and burgundy slips, the surface burnished before firing. Upper Yellow River Valley area; Gansu, Qinghai, or Ningxia province.
3rd millennium BCEChinesePolychrome plaster
GreekTerracotta
1st century CERomanCeramic
19th centuryJapaneseCast bronze; Zhengzhou phase, Erligang type
16th-15th century BCEChineseMonochrome glazed stoneware, "guan" type: light gray stoneware with celadon glaze
18th centuryChineseMetal
13th centuryPersian'Qingbai' ware: porcelain with pale bluish glaze over incised and carved decoration, the interior with appliqué containers, stylized sculpture, and leaf stems, the appliqué elements touched with iron-brown slip to add areas of localized color in firing. Probably from a kiln in Fujian province.
12th-13th centuryChinese