late 17th-early 18th century
With its exceptionally thin potting and near-translucent, pure white fabric, this small bowl belongs to a category of fine ceramics popularly known as “Gombroon wares.” The bowl has rounded walls, a slightly everted rim, and a low foot ring glazed in the center. A small depression inside the foot ring perfectly fits the middle finger, ensuring that the bowl balances easily in the user’s hand. On the interior of the bowl, this depression forms a small boss, on or around which the underglaze painting is applied. The delicate potting is emphasized by openwork patterns pierced through the walls and filled with clear glaze, reviving a technique practiced in the late twelfth and thirteenth centuries. The bowl is broken and has been put back together, with small plaster fills in the walls. The designation “Gombroon wares” reflects the impact of European trade in the seventeenth and eighteenth centuries. These vessels were exported to Europe from an Iranian port town at the entrance to the Persian Gulf, Bandar Abbas, which was known to the European trading companies as Gombroon, Gamrun, or Gamru. From European primary sources and a handful of dated objects, it can be deduced that the production period for Gombroon wares stretched from at least the 1690s into the early 1800s. Bandar Abbas served as the terminal point of trade routes originating at Yazd and Kirman to the north and Lar, Shiraz, and Isfahan to the northwest. It has been suggested that the production site for these wares was Nain (a small town due east of Isfahan), where a similar highly vitrified fritware was made in the nineteenth century.
4.5 x 14.1 cm (1 3/4 x 5 9/16 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1978-2002), gift; to Harvard Art Museums, 2002.
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