PrintsJapanese19th century

Fuji from the Sumida River (Sumida no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Edo period, circa 1835-1847

Artists

Katsushika Hokusai 葛飾北斎Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed book page; ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 22.8 cm x W. 13.4 cm (9 x 5 1/4 in.) FOLDED

Related Artworks

Prints

The Dry-Shallows Shell (Minasegai), from the series The Poetry-Shell Matching Game of the Genroku Era (Genroku kasen kai awase)

Katsushika Hokusai 葛飾北斎, 1821

Woodblock print (surimono); ink, color, and metallic pigment on paper

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Prints

Fuji in a Dream (Yume no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

Ukiyo-e woodblock-printed book page; ink on paper

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Prints

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

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Prints

Colophon from the Kōrin gafu (Kōrin Picture Album)

Nakamura Hōchū 中村芳中, 1802

Woodblock-printed book (28 detached leaves); ink and color on paper

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Prints

Port of London England (Igirisu Rondon no kaikō), from the series Complete Enumeration of Scenic Places in Foreign Nations (Bankoku meisho zukushi no uchi), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, 1862 (Bunkyū 2)

Woodblock print (nishiki-e); ink and color on paper

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Prints

Man Vendor and Child/ Seki, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Prints

Actors Ichikawa Danjūrō 7th, Onoe Kikugorō 5th, and Iwai Hanshirō 5th with Snow Mountain (Mini Fuji?) in Background

Utagawa Kunisada 歌川国貞, Edo period, circa 1823 (Bunsei 6)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

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Prints

Views of The Twenty Four Paragons of Filial Piety (Nijūshikō zue)

Katsushika Taito II 二代葛飾戴斗, 1819 (Bunsei 2)

Woodblock-printed book; ink and color on paper

19th centuryJapanese

Prints

Huang Xiang (ō Kō) Cooling the Hot Iron, from the series Twenty-Four Paragons of Filial Piety (Nijūshikō), for the Twenty-Four Paragons of Filial Piety Club (Nijūshikōren) -- Later facsimile?

Totoya Hokkei 魚屋北渓, Meiji period, late 19th century(?)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper, with printed signature reading "Go Hokkei"

19th centuryJapanese

Prints

Surugadai in Edo (Tōto Sundai), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper; with printed signature reading: "Hokusai aratame Iitsu hitsu"

19th centuryJapanese

Prints

Three Women Tagging Cranes with Poetry Slips (Tanzaku)

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "nagaban" format; Ink and color on paper

19th centuryJapanese

Prints

No. 26, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)

Utagawa Kunisada 歌川国貞, c. 1847-1852 (Kōka 4- An'ei 5)

Woodblock print (nishiki-e); ink and color on paper

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