1562
In Firdawsi’s epic, Yazdigird III (d. 651) was assassinated in a mill by order of Mahuy, the treacherous governor of Merv. Two religious ascetics discovered the king’s body, stripped and thrown in a stream. Their fellow monks retrieved it, respectfully anointed it with wine, musk, camphor, and rosewater, clothed it in linen and gold brocade, and placed it in a lofty tomb. The painting shows a priest blessing the open grave as Yazdigird’s coffin is carried into the mausoleum, followed by a crowd of mourners. The casket, with Yazdigird’s crown at the head, is wrapped in textile strips. In design and decoration, the tomb reflects sixteenth-century Central Asian and Iranian architectural interiors.
37 x 23.9 cm (14 9/16 x 9 7/16 in.)
[Christies, London, 17 October 1995, lot no. 79]. [Mansour Gallery, London, before 1998], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
Ink, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk and gold on paper
16th centuryPersianInk and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersian