PrintsJapanese
Primer on Eight Varieties of Paintings (Hasshu gafu), vol. 3
Dimensions
28.3 x 21 cm (11 1/8 x 8 1/4 in.)
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TOKAIDO GOJU-SAN-TSUGI
Utagawa Hiroshige 歌川広重, 19th century
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Profile Head of a Girl
Fukui Ryōnosuke, Shōwa period,
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Aoi Slope, Outside Toranomon Gate (Toranomon-soto Aoizaka), Number 113 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (11th month)
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Comparison of the Destinies of the Enlightened and the Antiquated (Kaika kyūhei kōhai kurabe)
Utagawa Yoshifuji, 1882 (Meiji 15)
Left sheet from an ukiyo-e woodblock-printed ōban triptych; ink and color on paper
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Dandelions for the New Year
Katsushika Hokusai 葛飾北斎, 19th century
Woodblock print (surimono); ink, color, and metallic pigments on paper
19th centuryJapanesePrints
Izumo Matsue, from the series Tabi Miyage Dai San Shū
Kawase Hasui 川瀬巴水, 1924
Woodblock print; ink and color on paper
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Mukōjima kari yuki
Torii Kiyonaga
Ukiyo-e woodblock print; ink and color on paper
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Hayano Kanbei and his Wife Okaru/ Act 6 (Roku dan me), from the series The Treasury of Loyal Retainers (Kanadehon chūshingura)
Katsushika Hokusai 葛飾北斎, Edo period,
Ukiyo-e woodblock print in "chūban" format; Ink and color on paper
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BEGONIA BLOSSOMS AND A DRAGONFLY
Utagawa Hiroshige 歌川広重, 19th century
Ink on paper
19th centuryJapanesePrints
Beating the Second Wife According to the Old Custom
Utagawa Hiroshige 歌川広重, Late Edo period, circa 1852
Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper
19th centuryJapanesePrints
SMALL SERIES OF THE 53 STATIONS OF THE TOKAIDO. "MIYA: SETTA HAMA NO TORILI" STATION NO. 42
Utagawa Hiroshige 歌川広重, 19th century
Ink on paper
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THE SMUGGLED LETTER
Suzuki Harunobu 鈴木春信, Edo period, circa 1765-1770
Ukiyo-e woodblock print in "chūban" format; ink and color on paper
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