PrintsJapanese19th century

Hokusai manga (Hokusai Sketchbooks), vol. 4

Late Edo period, dated 1816

Artists

Katsushika Hokusai 葛飾北斎Artist

Classification

Prints

Medium

Woodblock-printed book; ink and light color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

22.5 x 15.8 x 1.2 cm (8 7/8 x 6 1/4 x 1/2 in.)

Related Artworks

Prints

Clear Weather after Snow in the Precincts of the Kanda Myōjin Shrine (Kanda Myōjin keidai yukibare no zu), from the series Famous Places in the Eastern Capital (Tōto meisho)

Utagawa Hiroshige 歌川広重, c. 1840-42

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

Triptych: First Division Approaching Fengtian (Daiichigun Hōten-fu shingeki no zu)

Ogata Gekkō, Meiji period, dated 1894

Woodblock printed "ōban"-sized triptych; ink and color on paper

19th centuryJapanese

Prints

Oyashirazu Beach (Oyashirazuhama), from the series Famous Sights of Japan (Nihon meishō zue)

Kobayashi Kiyochika 小林清親, 1897 (Meiji 30)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Triptych: Scene from Kabuki Theatre: Shower of Flames

Utagawa Kunisada 歌川国貞, Late Edo period, circa 1857-1862

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Standing Courtesan Looking into a Mirror/ Tiger Skin (Tora no kawa), Third of the Right Group (Migi sanban), from the series Treasure Match (Takara awase), with poems by Rairoen Kakudaru, Rakuseian and Shakuyakutei

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Susano-o and Amaterasu

Aoigaoka Keisei, 1832

Right sheet of a ukiyo-e woodblock-printed "surimono" diptych; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

View of the Amusements of the Foreigners in Yokohama, Bushu (Bushu Yokohama gaikokujin yūkyō no zu), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, Late Edo period, first month of 1861

Center sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Evening Snow at Mimeguri (Mimeguri no yosetsu) - Actors and Courtesans Getting on a Boat

Utagawa Kunisada 歌川国貞, Late Edo period, 19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Hasebe sanshi (Shoku Nihongi), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Harunoya Naritake

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Chrysanthemums, from the Kōrin gafu (Kōrin Picture Album)

Nakamura Hōchū 中村芳中, 1802

Woodblock-printed book (28 detached leaves); ink and color on paper

19th centuryJapanese

Prints

Woman Folding Kimono

Katsushika Hokusai 葛飾北斎, late 18th-early 19th century

Woodblock print (surimono); ink, color, and metallic pigments on paper

18th-19th centuryJapanese

Prints

Thunder God (Raijin) Delivering a Lover Letter

Suzuki Harunobu 鈴木春信, Edo period, circa 1767-1768 (Meiwa 4-5)

Ukiyo-e woodblock print in "hashira-e" format; ink and color on paper, with printed signature reading "Suzuki Harunobu ga"

17th-19th centuryJapanese