Tools Services Portfolio About Contact

Tools Services Portfolio About Contact

Made with by Lê Trực 0983470827 © 2025 KenAI.vn

Dieppe Harbor | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Dieppe Harbor

Dieppe Harbor

DrawingsBritish19th century

Dieppe Harbor

c. 1898

Artists

Walter SickertArtist

Classification

Drawings

Medium

Black ink, gray wash, blue-white wash, and black chalk on tan wove paper

Culture

British

Century

19th century

Division

European and American Art

Department

Department of Drawings

Dimensions

23.2 x 28.4 cm (9 1/8 x 11 3/16 in.)

Provenance

Mrs. Lucy Carrington Wertheim, sold; [Christie's, London, 9 December 1960, lot 128]. [Roland, Browse & Delbanco, London, 1969]. Denys Sutton; by descent. [Christie's South Kensington, 30 June 2005, lot 75, repr.]. Patricia Cornwell, gift; to Harvard Art Museum, 2009

Related Artworks

Ezekiel's Vision (The Valley of Dry Bones)

Ezekiel's Vision (The Valley of Dry Bones)

William Young Ottley, 18th-19th century

Watercolor and brown ink on off-white antique laid paper

18th-19th centuryBritish

Castle of Maus (Burg Maus)

Castle of Maus (Burg Maus)

Samuel Prout, 19th century

Graphite on paper

19th centuryBritish

Dante and Virgil Escaping from the Devils (from Dante's "Divine Comedy"); verso: Sketch of rocks

Dante and Virgil Escaping from the Devils (from Dante's "Divine Comedy"); verso: Sketch of rocks

William Blake, 1824-1827

Watercolor, black ink, graphite, and black chalk on off-white antique laid paper; verso: black chalk

19th centuryBritish

The Assyrian God, Illustration for "The Sphinx," by Oscar Wilde

The Assyrian God, Illustration for "The Sphinx," by Oscar Wilde

Charles Ricketts, 19th-20th century

Brown ink over graphite on cream wove paper

19th-20th centuryBritish

John and Salome; verso: illegible sketch

John and Salome; verso: illegible sketch

Aubrey Vincent Beardsley, 1893

Black ink and graphite on white wove paper; verso: graphite

19th centuryBritish

Study of an Archivolt in Saint Mark's, Venice

Study of an Archivolt in Saint Mark's, Venice

John Ruskin, 1852

Watercolor, white gouache, graphite, black ink, and gold paint on off-white wove paper

19th centuryBritish

View of Chamonix

View of Chamonix

John Ruskin, 1842

Watercolor, white gouache, and graphite on gray-beige wove paper, darkened

19th centuryBritish

Inscription; verso: Drapery Study (Torso, waist, and legs)

Inscription; verso: Drapery Study (Torso, waist, and legs)

Edward Burne-Jones, 19th century

Graphite on heavy cream wove paper

19th centuryBritish

Sketchbook ("Banners")

Sketchbook ("Banners")

Edward Burne-Jones, 1880s?

Sketchbook with tan cloth covers

19th centuryBritish

Banner: verso: Banner (continues on page 25 recto)

Banner: verso: Banner (continues on page 25 recto)

Edward Burne-Jones, 19th century

Black chalk on cream modern laid paper

19th centuryBritish

Study for Merlin and Nimue in "The Beguiling of Merlin"

Study for Merlin and Nimue in "The Beguiling of Merlin"

Edward Burne-Jones, c. 1871

Black and white chalk on brown paper laid down on linen

19th centuryBritish

Then the Lord Answered Job out of the Whirlwind (The Book of Job)

Then the Lord Answered Job out of the Whirlwind (The Book of Job)

William Blake, 1821

Watercolor, black ink and graphite on cream laid paper

19th centuryBritish