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from the illustrated book "Kachō gaden" | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
from the illustrated book "Kachō gaden"

from the illustrated book "Kachō gaden"

PrintsJapanese

from the illustrated book "Kachō gaden"

Artists

Katsushika Taito II 二代葛飾戴斗Artist

Classification

Prints

Culture

Japanese

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Fuji and Foreign Embassy (Raichō no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Fuji and Foreign Embassy (Raichō no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Dōgashima, from the series Seven Noted Hot Springs in Hakone (Hakone shichi to meisho)

Dōgashima, from the series Seven Noted Hot Springs in Hakone (Hakone shichi to meisho)

Torii Kiyonaga, Mid Edo perod, 1780

Ukiyo-e woodblock print in "chūban" format; ink and color on paper

Tosei Mitate Sanju Rokkasen

Tosei Mitate Sanju Rokkasen

Utagawa Kunisada 歌川国貞, Edo period,

Ukiyo-e woodblock print; ink, color and gauffrage ("blind" printing) on paper

19th centuryJapanese

Fine Weather after Rain at Tsukudajima

Fine Weather after Rain at Tsukudajima

Kobayashi Kiyochika 小林清親, c. 1880 (Meiji 13)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Tanyu ringa in 2 volumes

Tanyu ringa in 2 volumes

Woodblock-printed book; ink on paper

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

19th centuryJapanese

Inkstone, Murasaki Shikibu (Suzuri, Murasaki Shikibu), from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bunbō shiyū)

Inkstone, Murasaki Shikibu (Suzuri, Murasaki Shikibu), from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bunbō shiyū)

Yashima Gakutei 八島岳亭, c. 1827

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

DIFFERNT HAIR ORNAMENTS FOR THE FIVE FESTIVALS,"HAIR ORNAMENTS MADE OF PEACH BLOSSOMS FOR MARCH

DIFFERNT HAIR ORNAMENTS FOR THE FIVE FESTIVALS,"HAIR ORNAMENTS MADE OF PEACH BLOSSOMS FOR MARCH

Kitagawa Utamaro II

Ink on paper

THIRTY-SIX VIEWS OF FUJI, "MOTOGUCHIDORI"

THIRTY-SIX VIEWS OF FUJI, "MOTOGUCHIDORI"

Utagawa Hiroshige II, 19th century

Ink on paper

19th centuryJapanese

Urashima Tarō and the Tortoise, from the series Five Pictures of Symbols of Longevity (Kotobuki goban no uchi)

Urashima Tarō and the Tortoise, from the series Five Pictures of Symbols of Longevity (Kotobuki goban no uchi)

Yanagawa Shigenobu 柳川重信, Edo period, circa 1823-1826

Ukiyo-e woodblock printed surimono in "shikishi" format; ink, color and embossing on paper

19th centuryJapanese

Saitō Kiyoshi 斉藤清, Shōwa period, dated 1959

Woodblock print; ink and color on paper

20th centuryJapanese

Tomioka, from Set Five, Amakusa District, from the series Japanese Landscape Prints (Nihon fūkei hanga)

Tomioka, from Set Five, Amakusa District, from the series Japanese Landscape Prints (Nihon fūkei hanga)

Morita Tsunetomo, 1917

Woodblock print; ink and color on paper

20th centuryJapanese